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The pair of releases put out so far by the group Ashnymph are hard to categorise: their personal label of their work as “subconscioussion” doesn’t offer many clues. Their initial track Saltspreader blended a heavy mechanical drumming – member Will Wiffen has sometimes been seen on stage wearing a T-shirt that displays the emblem of Godflesh, icons of industrial metal – with vintage-sounding synthesisers and a guitar riff that subtly echoes the Stooges’ garage rock perennial I Wanna Be Your Dog, before melting into a barrier of unsettling sound. The planned result, the band has indicated, was to conjure highway journeys, “the grinding circulation of vehicles all day long over vast spans … nighttime orange glows”.

The next release, Mr Invisible, occupies a space between nightclub tunes and unconventional alternative rock. On one hand, the cut's tempo, strata of mesmerizing synths, and vocals that arrive either hallucinogenically distorted or spellbindingly cyclical in a way that brings back Dubnobasswithmyheadman-era Underworld all point towards the club floor. On the other, its intense performance-style shifts, edge-of-chaos quality and overdrive – “achieving a crunchy texture is a personal mission,” the musician stated – distinguish it as clearly a group effort rather than a bedroom-bound producer. They've gigged around south London’s DIY scene for less than a year, “any spot with loud speakers”.

But both are exciting and different enough – from each other and anything else around at the moment – to make you wonder about the band's future direction. Whatever it is, on the basis of these two singles, it’s sure to be engaging.

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